These 8 Horror Movies Were Kind Of A Mess, But Had Incredible Performances

Horror as a genre is demanding when it comes to perfomance. Without great performances, the terrifying and often supernatural circumstances won’t feel believable enough to affect viewers. From scared victims and possessed people to deranged killers and humanoid monsters, horror movies feature some of the best acting in the history of filmmaking. Many of the best horror films ever made have become so iconic and memorable because of the performances delivered by the cast. This is also why some of the most prominent and decorated actors of all time began their careers with horror movies, as their performances showed promise.

Shocking horror movie moments that make viewers audibly gasp come to life because dedicated acting sends chills down the audience’s spines. While it is rare, horror movies have incredible ensemble casts at times to convincingly portray the terrifying situations that they’re based on. However, despite every effort, including brilliant work behind the scenes, some movies are simply too poorly made or written. Even amazing special effects can’t save some horror movies, and the same is true of acting, as messy horror movies can sometimes feature great performances. These incredible performances are often the only memorable part of such horror movies.

8

Geoffrey Rush

House on Haunted Hill (1999)

Geoffrey Rush in House on Haunted Hill (1999)

Some remakes and sequels of horror movies should never have been made, and among them is the 1999 remake of the 1959 House on Haunted Hill. It follows a group of people who have been invited to a psychiatric asylum and offered a million dollars each to survive the night. The film largely received negative reviews because of the poorer effects and writing compared to the original ’59 movie.

A composite image of The Blair Witch Project, Audition, and Sixth Sense

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However, the film did receive some appreciation for its performances, and it’s worth watching just to see Geoffrey Rush acting as the primary antagonist. His character was portrayed by the inimitable Vincent Price in the original film, and while Rush recreates some of the energy Price brought to the role, he plays it differently to suit the tone of the remake. With a larger-than-life persona and a charming flamboyance, Rush delivers an all-time great villain performance that elevates the film.

7

Tom Atkins

Halloween III: The Season of the Witch

Tom Atkins in Halloween III: The Season of the Witch

Halloween III: The Season of the Witch is a horror movie that gets a lot of flack, but it’s rightfully earned itself a cult fandom. Yes, it’s the only movie in the franchise that doesn’t feature the iconic villain, Michael Myers. However, it’s a bonkers movie with eternally relevant commentary on the nature of advertising and the control that conglomerates have over the masses in a capitalist world.

John Carpenter initially wanted the Halloween franchise to be an anthology about various haunted events occurring around the holiday, but Halloween III: The Season of the Witch is the only stand-alone movie except the first Halloween film because it was panned and given negative reviews upon release.

Tom Atkins delivers a compelling performance as the protagonist of Halloween III: The Season of the Witch, who discovers a toy corporation’s plot to control people by using witchcraft through their most famous toy on Halloween night. That climactic moment when he breaks the fourth wall to deliver the message to the audience is elevated by his committed performance. In fact, despite the wild plotline of the film, Atkins treats the source material with the utmost sincerity, making his plight and the story’s premise seem believable.

6

Warwick Davis

Leprechaun (1993)

Warwick Davis in and as Leprechaun

Warwick Davis broke out in the late ’80s with a couple of memorable roles, especially the leading role in Willow, a perfect non-animated action movie for kids to watch. Within half a decade, he had been offered the starring role in a horror franchise as the titular leprechaun. Unfortunately, the franchise doesn’t contain a movie that would qualify as good, although Leprechaun 3 comes close, but that’s not Davis’ fault.

Leprechaun is the quintessential so-bad that it’s-good horror movie because there’s simply not enough plot or compelling characters to get invested in the film. The kills aren’t all memorable and the writing leaves a lot to be desired, but there are enough unexpected moments that make the viewing experience entertaining. Moreover, Warwick Davis is utterly sincere in his portrayal of the titular character, adding a thrill factor to the otherwise messy and silly affair.

5

Rebecca Gayheart

Urban Legend (1998)

Rebecca Gayheart in Urban Legend

Scream introduced the world to Ghostface, a horror movie character who helped reshape genre expectations with his violent, innovative kills, and by being the subject of the whodunnit aspect of the movies. Unsurprisingly, Scream inspired an entire genre of filmmaking – the mystery slasher with an inventively violent villain. However, few of the ripoffs actually come close to being as good as Scream, and among the notable ones is Urban Legend.

Rebecca Gayheart screaming in the lecture hall in Urban Legend

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Urban Legend is incoherent at times and clearly a ripoff of Scream, but it’s fun to watch because it’s self-aware. The movie is not delusional about being better than it is, and it commits to an extravagant tone with such sincerity that it becomes campy. Moreover, the villain and her methodology will be eternally remembered. Played by Rebecca Gayheart, the character stages recreations of urban legends to kill people she wants to. Gayheart is aware that the film is unserious, and she delivers an over-the-top performance marked by eccentricity in her body language and appearance.

4

Octavia Spencer

Ma (2019)

Octavia Spencer in and as Ma

Tate Taylor’s Ma is mostly a forgettable movie because it fails to engage viewers on an emotional level. The premise is golden for a story where characters are killed off one by one – a lonely woman invites children to a party in her basement after they ask her for help to buy alcohol. The titular character’s mental instability leads to all Hell breaking loose and the unsuspecting children turning into victims.

However, the antagonist doesn’t have the memorable traits that legendary villains do. She is far too much of a template without enough innovative kills, except for the truck, to make a lasting impression. Yet, it’s difficult to forget her once you’ve seen the film. The credit is entirely Octavia Spencer’s for giving her character a sincere portrayal with a lot of heart, preventing her from becoming another goofy slasher villain that no one remembers.

3

Richard Brake

31 (2016)

Richard Brake in 31

Among the movies like The Running Man that are worth watching while waiting for the Glen Powell-starrer remake to come out, is 31. It’s not particularly good and is arguably the worst movie made by Rob Zombie. It follows a group of carnival workers in the 1970s who are kidnapped and forced to fight with killer clowns and little people in order to survive 12 hours, after which they’ll be released.

31 is Rob Zombie’s version of The Most Dangerous Game.

The premise isn’t bad, but the execution falls flat at times, but I believe the film is criminally underrated. What stands out the most is Richard Brake’s performance as Doom Head, one of the killer clowns. His sincere performance makes his scenes unnerving and uncomfortable to watch, which isn’t true of most of his co-stars in 31, who fail to invoke realism in their acting. Brake’s performance can give viewers nightmares for days after they’ve seen 31.

2

Chris Rock

Spiral: From the Book of Saw (2021)

Chris Rock in Spiral: From the Book of Saw

Many of those who have watched Saw movies have wondered what it would be like to use his traps for social justice. Some of his victims are more justified than others because of their despicable actions already. So, on paper, it sounds great that a horror movie features corrupt cops being killed with Jigsaw traps to bring law enforcement’s attention to the fact that their misdeeds neither go unseen nor have forgettable consequences.

Moreover, the tone of the film makes one wonder if it would have benefited from being a drama instead of sensationalizing violence in the very real context of police brutality.

Unfortunately, the potential for meaningful storytelling is lost because of the protagonist’s writing. He is as misogynistic as one can get and a recycled dump of tropes about the underappreciated police officer. Moreover, the tone of the film makes one wonder if it would have benefited from being a drama instead of sensationalizing violence in the very real context of police brutality. However, Chris Rock deserves all the credit for committing to his performance as the protagonist despite his disgustingly monotonous sexist dialogue that feels written by AI at times.

1

Vera Farmiga

The Conjuring: The Devil Made Me Do It (2021)

Vera Farmiga in The Conjuring: The Devil Made Me Do It

James Wan’s haunted house movie The Conjuring and its sequel, although barely scary, can be fun to watch because of their imaginative use of space and special effects. Even though he did return as a producer, it’s clear from watching The Conjuring: The Devil Made Me Do It, that without his flair for staging shocking moments in a closed space, the movies do run out of steam.

A composite image of the Warrens embracing while looking on in fear in front of a man standing outside of a house standing under a street light in The Conjuring films

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If there was ever an argument to be made against The Conjuring‘s procedural style of storytelling, it’s The Conjuring: The Devil Made Me Do It, since the film abandons realism for the sake of visual glory, even treating occultism like the Force in Star Wars. However, the film is worth watching simply to see Vera Farmiga reprise her role as Lorraine Warren. She’s compelling as ever, and makes one hope Lorraine will never be recast for the sequels.

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