I’m 100% Sure These 8 Movies Would’ve Been Disasters If They Were Made By Other Directors

Some films are so deeply connected with their directors that it seems that no one else could have done them. Or, if they did, the movies would not have resonated in the same way. Often, the directors also served as writers or producers, ensuring that their vision leaks in each painting as much as possible. But, even those who did not write the project will still make sure to create a cohesive and complete history that leaves the public connected to the characters and touched by their lives.

A genius is needed to transform a simple idea into a convincing two -hour narrative that has captivated viewers from beginning to end. Similarly, a complicated and confusing idea could be completely lost in the translation in the hands of a minor director with a more limited vision. Or even just a different vision. Each movie fan will immediately have multiple titles to the mind and, without a doubt, will have their own favorites. But, there are some directors whose films would undoubtedly be seen and felt completely different if it had been someone else behind the camera.

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8 The Shining (1980)

Directed by Stanley Kubrick

Horror remains a genre often underestimated. It tends to be overlooked in the awards, it is considered by some as too trivial, and has generated enough low quality films to almost give a bad name to the entire category. But, The brilliant It is a brilliant example of how to make a horror movie that has substance and scares. On paper, this could have been a classic story of the haunted house, with unnecessary jump and blood scares. At the time of its launch, there had been many deficient B movies that exploited such principles of the genre.

Stanley Kubrick took Stephen King’s supernatural vision and deepened more in the psychological aspects of history, making it a stimulating exploration of the human mind. King did not like this adaptation when he came out, opposing the many changes made in the plot, but, if he had attached to the book Litering, the film could not have hit the chord he made. It would be interesting to see the film Refo in the vision of the original author, but the fact that it has not really happened says a lot about the impact that Kubrick’s title has had.

7 Jojo Rabbit (2019)

Directed by Taika Waititi

The theme of Jojo Rabbit It is extremely complicated, and it would be difficult to see any other director navigate it. A child who reaches the age of majority in Nazi Germany and fights with propaganda that is being fed at school against empathy that his mother tries to instill him. That in itself sounds like a very serious issue that could easily have been explored as a direct historical drama. But what Taika Waititi does break all the rules related to this type of subject.

He creates a kind of surreal comedy, complete with Hitler as Jojo’s imaginary friend, and a closing sequence that develops like a farce. The amount of comedy versus switching is perfectly balancing, and it is Waititi’s vision that allows it to work. The moment when Jojo sees his mother’s shoes is heartbreaking, and the previous scene where the audience sees them is so cheerful and sweet, it is amazing that both are part of the same film. Waititi won an Oscar for the adapted script, and it was clear that the marriage between vision and director was fair.

6 Barbie (2023)

Directed by Greta Gerwig

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Some love it, others hate him, and then there are those who did not understand him, but the truth is that somehow a film about a plastic doll created more speech than anyone could have expected. Barbie He had been in development for years and history has seen many different iterations. In particular, Amy Schumer was united at one point and it was said that the plot was much more linear, even cookie cutter. It was not until Greta Gerwig got involved that the idea became something that was not just a direct comedy.

Margot Robbie and Ryan Gosling could have seemed lazy options for Barbie and Ken, but little knew someone who were about to contribute to the roles. Make the film begin the discussions about patriarchy, feminism and how difficult it can be for anyone who exists in the world caused the film to be much more significant. While other films based on toys or games tend to be entertaining and dumb, and, let’s be sincere, sometimes not so entertaining, Gerwig’s Barbie It transpired just being about a toy. Ferrera’s speech says it all.

5 Eternal Sunshine of the Spotless Mind (2004)

Directed by Michel Gondry

An entire generation of millennials remembers where they were when they saw this movie for the first time. The anguish, the negotiation and then the sudden realization of what is happening is rooted in the collective mind of the audience. Cash completely out of service, with multiple overlapping stories, it would be a mined field to navigate. The mixture of subtle science fiction, melodramatic romance and a series of interconnected vignettes, all of which they hit emotionally, makes this unusual film what it is.

Together with Michel Gondry’s masterpiece, it is the cast that also feels irreplaceable. Jim Carrey and Kate Winslet carry the love story condemned to so many places emotionally, and the sub -bite between Kirsten Dunst and Mark Ruffalo is the public that the public never saw coming. The director was able to take a delicate and sad history and make it very human and identifiable. The feeling of dreamy in everything that leaves viewers wonders what was real and what did not.

4 Get Out (2017)

Directed by Jordan Peele

It is extraordinary to be able to create a film that makes a large number of audience members feel beyond the awkward, but still feel every moment. Jordan Pele could do it with poise with Go out. Making the story take so many unexpected turns is something that can be attributed to the fact that Peele also wrote the script. From beginning to end, expectations are subverted and spectators have no idea what is around the corner.

Go out It combines mystery, horror, dark comedy and social comments in a way that they have not made many films before. The director forged a very coveted niche in the market, with the desire of more stories that address career problems, and since then he has added more quality movies to his impressive filmography. But, this is where everything began, and it is clear that history could not have been told by anyone else.

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3 TAXISTAS (1976)

Directed by Martin Scorsese

Taxi driver Apparently it is not so much about so much. A New York taxi driver with problems with PTSD as a war veterinarian leads around the city, finding many people from the darkest parts of their belly. But, in the hands of Martin Scorsese, it becomes the voice of a generation, a deep immersion in the psyche of a disappointed member of the working class and the class system within a huge metropolis. Thus, tcontroller It is dark and sandy, full of issues that represent life at that time in a realistic and dirty way.

Many films set in New York would glamorize and show only the beautiful or romantic parts, but Taxi driver Go to all the places that viewers do not usually see. Scorsese can also take the story, which does not have so much action, and makes it exciting and suspense. Robert de Niro as Travis Bickle is constantly to the limit, and the director transmits it in a way that the spectators feel it in each scene. And, the way the end of the shooting was filmed.

2 Velvet Blue (1986)

Directed by David Lynch

Something like Blue velvet It could only really come from the mind of the late David Lynch. The combination of surrealism and subversion of expectations is why it was known, and is very evident in each picture of Blue velvet. Lynch could even make the most disturbing scenes see ethereal and dreamy, and brought a theatricality to the film that few others could do it. The difference between the perfect facade and the darkness below was claimed to life by the skilled direction of Lynch.

Imagining the story itself in any other hands would change the movie completely. Dennis Hopper’s disgusting interpretation of Frank Booth came from a deep understanding of the disturbed character. Isabella Rossellini’s performance was also captured in a way that gave depth to her character and the complicated psychological situation in which she is. There is a world in which this film lacks the qualities of vision and trance that Lynch adopted, and that is not a world in which spectators should be.

1 Pulp Fiction (1994)

Directed by Quentin Tarantino

Any movie of Quentin Tarantino tends to be one that could only be made by him. From the ingenious and self -referential writing to the rapid cuts and the specificity of their shots, most spectators could say that they were watching a film in which Tarantino was involved. Like many of his films, Pulp fiction It is told out of service, leaving the audience together the pieces and calling what they saw previously in history. This keeps people committed at all times has often been copied and referenced in the cinema since then.

Having scenes like the car with Vincent and Jules, the entire bullet vignette of pumpkin and honey, and the iconic dance sequence between John Travolta and Uma Thurman would not exist if it were not for the clear and unusual vision of Tarantino. It is obvious what a cinema fan is, with the amount of references he does, but they still seem their own unique opinion. There are few films like this that define its director as much as its director defines them.

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