By Robert Eggers Nosferatu to george miller’s house Furiosa: A Mad Max Saga2024 has produced some visually stunning films. In the age of streaming, as more and more audiences wait to watch new movies at home, filmmakers have to work harder and harder to get people into theaters. One way to do this is to make a film that is so magnificently well-shot, with such deeply cinematic imagery, that it demands to be seen on the big screen.
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The surreal science fiction images of Dune: Part Two It not only brought audiences to theaters, but also brought them to the biggest screens in the world. It wasn’t enough to see Dune in a theater; It had to be an IMAX theater. Some of the year’s horror efforts, such as Nosferatu and The substancewere bolstered by gorgeous cinematography, and even one of the most criticized films of 2024, Joker: Folie à DeuxIt was filmed beautifully.
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5 Joker: Folie À Deux
Joker: Folie à Deux It wasn’t for everyone. The Courtroom Story was criticized for not only repeating the first film, but also for lashing out at its own fan base. The final scene with the “realJoker was criticized for nullifying both films (although it was always clear that Arthur Fleck would not be Batman’s archenemy, just because of the timeline). But one thing everyone can agree on is that the movie looked amazing.
Lawrence Sher’s cinematography is just as impressive the second time around, and thanks to all the fantasy sequences, there’s even more opportunity for sumptuous visuals. From the shadowy pits of Arkham Asylum to the colorful nightclub-style musical numbers, the Joker The sequel is a visual treat. Sher comes out of this film with his reputation intact.
4 Nosferatu
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Robert Eggers took on a huge cinematic challenge by unofficially remaking FW Murnau’s classic Dracula adaptation Nosferatu. If it had not been able to deliver images as powerful and expressionistic as Murnau’s, then the remake would have been a failed effort. But Eggers has always been a bold filmmaker; has delivered such disturbing images as those of a witch breastfeeding a crow and Robert Pattinson having sex with a mermaid.
eggs Nosferatu is the fascinating visual gift that is Murnau’s. Eggers’ regular cinematographer, Jarin Blaschke, greatly enjoys disturbing and confusing his audience with the disturbing images of Nosferatu. These images are appropriately shrouded in darkness, leaving much to the viewer’s imagination.
3 Furiosa: A Mad Max Saga
George Miller is a master visual storyteller on par with Alfred Hitchcock. He designs his films so meticulously that anyone anywhere in the world could watch them without subtitles, or even sound, and still be able to follow the story. He doesn’t tell his stories with dialogue and exposition; It tells them with image sequencing. His latest post-apocalyptic action epic, Furiosa: A Mad Max Sagais an excellent example of this.
In the hands of cinematographer Simon Duggan, the wasteland has never looked so vibrant, with the brilliant oranges of the desert lighting up the screen. Miller’s use of old-school stunts and practical effects makes his action sequences a sight to behold. There is no weightless CGI in furious; High-speed chases and twisting crashes really happen.
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2 The substance
One of the best ways to deliver an unforgettable viewing experience is to scare your audience. Coralie Fargeat’s Body Horror Epic The substance has some of the most haunting images ever filmed, largely thanks to Pierre Olivier Persin’s masterful prosthetic effects. Demi Moore’s aging becomes increasingly shocking, and “Monstro Elisasue” – a gruesome spectacle that amalgamates all ridiculous male fantasies into jaw-dropping grotesquery – is a masterpiece of movie magic.
Like Fargeat’s last film, Revenge, The substance culminates in an opera of bloodshed. The entire complex is painted red in homage to CarrieThe prom scene. No matter how much they want, the public will not forget the images of The substance anytime soon.
1 Dune: Part Two
Greig Fraser followed his Oscar-winning cinematography from the beginning Dune movie with even bigger and bolder images in Dune: Part Two. Wadi Rum is one of the most used filming locations in Hollywood, but Fraser shot it in a way audiences had never seen before. His lenses turned a normal Earthly desert into the otherworldly landscapes of Arrakis. In Dune: Part Tworeturns to Arrakis for another mind-blowing IMAX show.
After Dune Set the table, Dune: Part Two was free to deliver all payments. From Paul Atreides riding the sandworm to the the lord of the rings-size battle scenes, Dune: Part Two It is full of stunning cinematic images. The images in this film demanded to be seen on the largest possible screen and were rewarded with a visit to the cinema.
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Category: Entertainment