Martin Scorsese is one of the best live filmmakers, with an inimitable style that is completely his, but some of their imitators have surprisingly approach their own Scorsese movie. Every time a director comes along with his own unique style, many imitators tend to continue. The appearance of Quentin Tarantino led to a series of ultraviolent crime thrillers during the 90s, of Dobermann to Things to do in Denver when you are dead. The popularity of Judd Apatow’s comedies in the 2000s led to excessive use of improvisation throughout the film comedy.
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The elegant and energetic approach of Scorsese for crime films, with black humor, voice narration and non -linear editing with cinema, has been emulated by innumerable films in the half century that has been a renowned voice in the cinema. The most recent gangsters movie to imitate Scorsese’s style is that of Barry Levinson. The high knightsThat the protagonist of Scorsese, Robert De Niro, in not one, but in two roles, and is quite close to recovering the unmistakable sensation of a Scorsese film. And he is not the only imitator Scorsese who does it; movies like Boogie nights and American made They have also succeeded.
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10 Donnie Brasco
Before Scorsese appeared, mafia films tended to follow the tradition of The godfather. They revolved around the Chief of Honchos at the top of the battery and told their stories elegantly. But Goodfellas Margó a new era of gangsters films at street level that revolved around medium -level gangsters who have to do dirty work for boys at the top of the battery. One of the best scorsese in this tradition is Mike Newell’s Donnie Brasco. Like Scorsese’s criminal films, it is a contemplative characters studied disguised as a violent gangsters film.
9 American bustle
David O. Russell tested his hand in a Scorsese -style criminal film with American hustle. Inspired by the ABSCAM operation of the FBI of the late 70s and early 80s, American hustle Christian Bale stars and Amy Adams like a couple of scammers who are reluctantly join with an FBI agent played by Bradley Cooper to direct a stinged sting in crooked politicians. American hustle It has all the characteristics of a Scorsese film: a complicated criminal saga, a black comic sensitivity, a gray moral approach, a soundtrack full of classic rock: it even has a Cameo from De Niro.
8 Joker
Blockbuster of one billion dollars record of Todd Phillips Joker is essentially a mashup of Taxi driver and The King of Comedy. It is an Arenosa urban vigilant film, such as Taxi driverAnd it is a psychological study of an aspiring comedian who lives with his mother, like The King of Comedy. JokerThe exploration of his themes is much less deep than Scorsese’s masterpieces, but photography director Lawrence Sher perfectly captures the low belly of a city full of crimes, such as Michael Chapman, and Joaquin Phoenix captures perfectly the dark mental gymnastics that leads an ordinary man to become a murderer, like Niro.
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7 Lord of War
Andrew Niccol’s Lord of War It is essentially a version of Goodfellas That changes drug trafficking for arms trafficking. Share Goodfellas‘Maniac cinematic energy and sense of gloomy humor, but revolves around a criminal who enrolls the sale of weapons around the dissolution of the Soviet Union, not one that is enrolled of the cocaine trade. Lord of War explore an illicit industry very different from Goodfellasbut explore it with so much depth and with the same stylistic tendency. It has one of the most memorable opening sequences in the history of cinema.
6 Los Caballeros Alto
The high knights It has all the characteristics of a scorsese gangsters De Niro plays dual roles as childhood friends who grew up to become chiefs of the rival mafia, one of whom ordered a failed blow in the other. The high knights It does not have the reflexive introduction or brutal honesty that makes Scorsese mafia movies so great, but it is equally entertaining, well shot and dark.
5 Americans made
Doug Liman’s American made He plays as a more full version of a biographical film of the Scorsese crime. Tom Cruise plays Barry Seal, a pilot who became drug trafficker for the Medellín cartel and an DEA informant. Very similar to Goodfellas, American made It uses its real story larger than life to explore both sides of the law and the thin line between good and evil. And, as well as GoodfellasIt is a very entertaining trip that does not leave your audience boring for a second. Some freedoms are needed with the historical events it represents, but it is a true Capital-M film.
4 I, Tonya
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Craig Gillespie made the ingenious decision to dramatize the participation of Tonya Harding in the assault on Nancy Kerrigan in the style of a Gangsters Scorsese movie. Similar to Goodfellas, I, Tonya It has a fast rhythm edition and a healthy dose of black humor. Harding tells story as an unreliable narrator who breaks the fourth wall. I, Tonya It could have easily fallen into the trap of being a boring and serious drama of true crimes, but Gillespie and the producer/star Margot Robbie adopted a much more daring approach that caused the film to be much more memorable and much more entertaining.
3 City of God
The way in which the New York criminal underworld captures in Significant streetsFernando Meirelles and Kátia Lund capture the underworld of Rio de Janeiro in God of God. Where Scorsese focused on little Italy on Significant streets, God of God It focuses on the suburb of Deus de Río. Like Scorsese, they do not carry the world of organized crime to the screen through tired gender archetypes; His characters are real and three -dimensional human beings. When chronizing an epic crime saga that covers decades, Meirelles and Lund use the fast rhythm and the energetic edition of Scorsese to maintain the narrative impulse.
2 A BRONX story
When De Niro made his debut as director, he was very inspired by his collaborations with Scorsese. Based on the autobiographical game of Chaz Palminteri of the same name, A Bronx story It tells the story of the age of a young Italian-American who is divided between the tutoring of his worker blue neck and a head of the local mafia who gives him a shine to him. Like Scorsese’s criminal films, A Bronx story Capture the lifestyle of the mafia and the atmosphere of New York with raw authenticity, and tells tensions throughout the city and organized crime from a deeply personal place.
1 nights of Boogie
After its low -budget indie debut Eight hardPaul Thomas Anderson became much more ambitious with his second film. Boogie nights It is a mega three -hour scale in the adult film industry of the 1970s. It has an extensive joint cast, a complex network of plots and a complete world.
Anderson channels Scorsese a lot in his direction of Boogie nights. The cinema has the restless rhythm, the radical chamber movements, the always changing soundtrack and the edition of the entire place of Goodfellas and CasinoBut the rise and fall of Mark Wahlberg’s porn character, Dirk Diggler, reflects the boxer Jake Lamotta in Furious bull. In the final scene of Boogie nightsAnderson even includes a direct tribute at the end of Furious bull. Of all imitators who have tried to imitate Martin Scorsese‘s style Boogie nights He has been closer to the raw intensity of Scorsese, the stimulating themes and absolute cinema.
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